On the go mic. I hate to like a TE product bc the price tags are insane but then this thing is great.

Every vocal really

Natural-finish Fender Precision Bass with tortoiseshell pickguard, rosewood fingerboard, and modified control layout labeled for active and passive settings.

Akai MPC Live III standalone production center with user photo on file.

Everything goes in here

Black Gibson SG Standard with block inlays, covered humbuckers, and visible playwear on the pickguard.

All guitars recorded and live go through this. Bittersweet because it’s hard to reach for pedals now

Roland VG-8 V-Guitar System floor processor with visible cosmetic wear and expansion sticker.

Light blue Fender Stratocaster with maple neck, three single-coil pickups, and a large 1970s-style headstock.

Butterscotch Fender Telecaster with black pickguard and a Roland GK pickup system mounted for guitar synth use.

Underrated piece of kit

Storage flooded and this was the victim. Sad because I loved it!

First headphones I got, ever. Always keep coming back to them despite 10s of others over the years

Such cool sounds on this and very expressive. The 80s sounds of Coyote come from this. One specific patch that’s everywhere

Modded to make weird sounds

I bring this on vacation and then never use it

Cooler than I thought, honestly. I love the guitar synth stuff. I’m shy to use these sounds since Mk.gee sounds are everywhere though

For sounds out and about. Coyote’s intro is us jumping over this in my building’s echoey basement. Record practices on this sometimes too!

My favorite pedal, full stop. It’s mostly about the My Iron Lung thing — deep detune. Coyote and Rearrange are all this

Essential weapon when a clear vocal is just not right

Extremely fun effect for everything. Spotted it on Fontaines DC’s show, they had a guy messing with the springs nonstop. It’s on the end of Coyote, end of Cyclone too

This is the best chorus full stop. It’s on every one of my songs that has chorus on it. Chorus but so sparkly clear.

Incredible pedal that finds its way onto everything that needs a bit of a smudge. It helps everything

Extremely fun way to warp sounds in a random way and come up with some cool effected parts. Don't know what the knobs do and probably will never but it's ok

I'm so glad I grabbed one of these when I could. I don't know much about the lore honestly (something something St. Vincent and the bass amp from QOTS?) but I got it and it's a beast to create some unusual distorted tones. The solo in "The Line" is all this

I'm always looking for an application for this but I can't say I've ever found it...

First verb I ever got and for that reason I really underrated how good it is tbh, I love this thing, it's so musical and not trying to be too much

This is on every bass sound on every song I've ever done. And lots of guitar too. I prefer the Xotic SP for guitars but this is great too since mine broke...

My favorite pedal is the Whammy, which I don't use pitch bend effects for but rather for that My Iron Lung type tone... with the Whammy I'd just put it on deep detune and step on it, and it makes high melodic material sound so much cooler because the beating of the waves changes w/ the pitch, so high notes reach almost a super fast trem type sound... This pedal is all that without the giant red box.

Got this crunch and use it for most of my fuzz sounds. I feel like there's really just one ideal fuzz sound I always have in my mind and this is always it. It's the fuzz on Venus in Furs ending.

I personally need this for live :) a little confidence boost

I've had a space echo in a bunch of forms and this is my favorite. Insane to get those sounds in such a small box. I love processing stuff with this but mostly making crunchy effect swells a la Karma Police ending... It's the best.

Haven't gotten to use this enough but there's an effect or two that were so extremely cool when I demoed it that I traded some stuff for it. No regrets I loved the verb too and can't wait to get this on some more stuff...